The Men, Liverhearts, Vincas, Wymyns Prysyn, Widowspeak
@529 East Atlanta
July 3rd
Lead paragraph delineates author’s conflicted relationship
with live performances—specifically an overwhelming confusion regarding the
reasonable expectations-payoff ratio. Author notes running an experiment for
the duration of the evening in question: no cigarettes smoked nor alcohol
consumed.
Second paragraph describes the crowd in somewhat elitist
terms, really, with a few smiles and encounters with friends/acquaintances
mentioned (insofar as this editor is concerned) to not come off to the reader
as a hermit, snob, sociopath, or one lacking any and all self-awareness.
Third paragraph describes the five predominantly-local
opening acts. He notes a band from Philadelphia
as the lone exception, though admits to having missed the first band and
lacking information about them. A somewhat pretentious excuse for his tardiness
is made, where a simple schedule conflict would suffice.
Fourth paragraph describes in excruciating detail rife with
trademark hyperbole a feeling of ennui arriving at the first signs of raucous
behavior from some of the younger audience members. Complaints about old
injuries, sore knees from standing all day, and a general exhaustion follow.
It is at this late point that the author begins his coverage
of the headlining act, The Men. References to the Meat Puppets are at first invoked,
only to be immediately revoked and replaced with Husker Du, which is just as
quickly interrupted with Dead Flowers and followed by ellipsis. This is meant
to imply (however thunderously delivered and inherently lacking in subtlety)
the band’s alleged lack of identity in the face of their stylistic
predecessors. The author closes the paragraph by admitting to being inured to
The Men due to the preceding “onslaught of tired white people in t-shirts
watching their own hands play instruments.”
Article closes with a non-denial denial of the author’s
investment in the success/failure of the evening in the first place. Blame is
placed on the aforementioned experimental sobriety; a firm commitment to never
repeat said experiment follows.
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